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Exhibit dates: February 12, 2015 – February 15, 2016 at Smithsonian's National Postal Museum

 

Media Contact:
Marty Emery
(202) 633-5518
emerym@si.edu

Exhibit Curator:   
Daniel Piazza
(202) 633-4737
piazzad@si.edu

 

Press Releases

February 12, 2015: National Postal Museum Opens African American History Exhibition – More Than 100 Objects Are on Display

January 19, 2015: National Postal Museum Announces New Exhibition Opening – Exhibition Devoted Entirely to African American History

Downloadable High Resolution Images for Press Use

Davis, Deupree and Company cover and letter, October 13, 1860
Davis, Deupree and Company cover and letter, October 13, 1860
Richmond, Virginia was the center of the domestic slave trade on the eve of the Civil War. Despite the large volume of mail that must have been sent by slave dealers, just a few examples survive today.

Davis, Deupree and Company cover and letter, October 13, 1860
Richmond, Virginia was the center of the domestic slave trade on the eve of the Civil War. Despite the large volume of mail that must have been sent by slave dealers, just a few examples survive today.

Uncle Tom’s Cabin illustrated anti-slavery cover, March 28, 1853
Uncle Tom’s Cabin illustrated anti-slavery cover, March 28, 1853
Less than a year after its publication in the United States, Uncle Tom’s Cabin sold more than one million copies in Great Britain. Although modern critics point out the book’s use of racially stereotyped characters, in its day it was regarded as a powerful piece of anti-slavery propaganda. Scenes from the novel decorate the reverse of this British anti-slavery cover published by James Valentine of Dundee, Scotland.

The scenes, clockwise from top flap: Uncle Tom is sold away from Aunt Chloe and his children because of his owner’s bankruptcy. The overseers Sambo and Quimbo flog Uncle Tom. Simon Legree whips Uncle Tom. Uncle Tom reads his Bible atop cotton bales on a Mississippi River steamboat. Pursued by slave catchers, Eliza escapes north with her five year old son Harry. Emmeline is sold away from her grieving mother, Susan.

Uncle Tom’s Cabin illustrated anti-slavery cover, March 28, 1853
Less than a year after its publication in the United States, Uncle Tom’s Cabin sold more than one million copies in Great Britain. Although modern critics point out the book’s use of racially stereotyped characters, in its day it was regarded as a powerful piece of anti-slavery propaganda. Scenes from the novel decorate the reverse of this British anti-slavery cover published by James Valentine of Dundee, Scotland.

The scenes, clockwise from top flap: Uncle Tom is sold away from Aunt Chloe and his children because of his owner’s bankruptcy. The overseers Sambo and Quimbo flog Uncle Tom. Simon Legree whips Uncle Tom. Uncle Tom reads his Bible atop cotton bales on a Mississippi River steamboat. Pursued by slave catchers, Eliza escapes north with her five year old son Harry. Emmeline is sold away from her grieving mother, Susan.

Runaway slaves volunteering for Union army illustrated cover, c. 1861
Runaway slaves volunteering for Union army illustrated cover, c. 1861
Early in the Civil War, Union General Benjamin Butler decreed that escaped slaves who reached his station at Fort Monroe would be considered “contraband” and not returned to their owners. Although the idea of black troops is caricatured by these envelopes, nearly 200,000 black men served in the Union forces.

Runaway slaves volunteering for Union army illustrated cover, c. 1861
Early in the Civil War, Union General Benjamin Butler decreed that escaped slaves who reached his station at Fort Monroe would be considered “contraband” and not returned to their owners. Although the idea of black troops is caricatured by these envelopes, nearly 200,000 black men served in the Union forces.

William H. Carney Medal of Honor, 1900
William H. Carney Medal of Honor, 1900
William Harvey Carney, born a slave in Virginia in 1840, volunteered for the celebrated, all-black 54th Massachusetts Volunteer Infantry Regiment. Shot twice while rescuing the American flag during an attack on Battery Wagner near Charleston, South Carolina, he later received the Medal of Honor. After the war, he worked as a letter carrier in the New Bedford, Massachusetts post office for more than thirty years.
Loan from Carl J. Cruz

William H. Carney Medal of Honor, 1900
William Harvey Carney, born a slave in Virginia in 1840, volunteered for the celebrated, all-black 54th Massachusetts Volunteer Infantry Regiment. Shot twice while rescuing the American flag during an attack on Battery Wagner near Charleston, South Carolina, he later received the Medal of Honor. After the war, he worked as a letter carrier in the New Bedford, Massachusetts post office for more than thirty years.
Loan from Carl J. Cruz

First Federal Issue revenue stamp on slave girl photograph, c. 1864
First Federal Issue revenue stamp on slave girl photograph, c. 1864
The National Freedmen’s Relief Association sold a series of slave photographs to raise money for educational projects in occupied New Orleans. They favored images of obviously mixed-race children, which appealed to a white audience. Photographs were taxed according to their retail value, and a government revenue stamp is found on the reverse.

First Federal Issue revenue stamp on slave girl photograph, c. 1864
The National Freedmen’s Relief Association sold a series of slave photographs to raise money for educational projects in occupied New Orleans. They favored images of obviously mixed-race children, which appealed to a white audience. Photographs were taxed according to their retail value, and a government revenue stamp is found on the reverse.

First Federal Issue revenue stamp on slave girl photograph, c. 1864
First Federal Issue revenue stamp on slave girl photograph, c. 1864
The National Freedmen’s Relief Association sold a series of slave photographs to raise money for educational projects in occupied New Orleans. They favored images of obviously mixed-race children, which appealed to a white audience. Photographs were taxed according to their retail value, and a government revenue stamp is found on the reverse.
Freedmen's Bureau cover, c. 1865-1872
Freedmen's Bureau cover, c. 1865-1872
Private charity could only partially meet former slaves’ needs, which ranged from food and clothing to employment and education. Congress created the Freedmen’s Bureau in 1865 with Major General Oliver O. Howard as its commissioner. A Medal of Honor recipient, he later served as president of Howard University. His signature indicated that no postage was due.

Freedmen's Bureau cover, c. 1865-1872
Private charity could only partially meet former slaves’ needs, which ranged from food and clothing to employment and education. Congress created the Freedmen’s Bureau in 1865 with Major General Oliver O. Howard as its commissioner. A Medal of Honor recipient, he later served as president of Howard University. His signature indicated that no postage was due.

Skull and Crossbones KKK postal cancel, Union Mills, Pennsylvania, c. 1870
‘Skull and Crossbones’ KKK postal cancel, Union Mills, Pennsylvania, c. 1870
The skull and crossbones was one of the earliest symbols adopted by the Klan.
Loan from Stampvestors LLC through Columbian Stamp Company

‘Skull and Crossbones’ KKK postal cancel, Union Mills, Pennsylvania, c. 1870
The skull and crossbones was one of the earliest symbols adopted by the Klan.
Loan from Stampvestors LLC through Columbian Stamp Company

Segregated Rural Free Delivery saddlebag, c. 1896
Segregated Rural Free Delivery saddlebag, c. 1896
Palmyra, Virginia became a Rural Free Delivery post office on October 22, 1896, one of the first in the nation to deliver mail to farm families. This mailbag with separate compartments for “white” and “colored” mail was not required by federal policy but was procured by the carrier to satisfy either his own preferences or those of his customers.

Segregated Rural Free Delivery saddlebag, c. 1896
Palmyra, Virginia became a Rural Free Delivery post office on October 22, 1896, one of the first in the nation to deliver mail to farm families. This mailbag with separate compartments for “white” and “colored” mail was not required by federal policy but was procured by the carrier to satisfy either his own preferences or those of his customers.

33c Martin Luther King Jr. approved stamp art by Keith Birdsong, c. 1999
33c Martin Luther King Jr. approved stamp art by Keith Birdsong, c. 1999
Martin Luther King’s I Have a Dream speech was commemorated in the Postal Service’s Celebrate the Century stamp series issued at the end of the twentieth century. A trace of brightness on the horizon represents hope, while King wears the March’s official badge.
Loan from the United States Postal Service, Postmaster General's Collection

33c Martin Luther King Jr. approved stamp art by Keith Birdsong, c. 1999
Martin Luther King’s I Have a Dream speech was commemorated in the Postal Service’s Celebrate the Century stamp series issued at the end of the twentieth century. A trace of brightness on the horizon represents hope, while King wears the March’s official badge.
Loan from the United States Postal Service, Postmaster General's Collection

33c Martin Luther King Jr. stamp, 1999
33c Martin Luther King Jr. stamp, 1999

33c Martin Luther King Jr. stamp, 1999

37c Marian Anderson approved stamp art by Albert Slark, c. 2005
37c Marian Anderson approved stamp art by Albert Slark, c. 2005
Canadian-born artist Albert Slark created this full-color oil portrait of Marian Anderson from a circa 1934 black-and-white photograph. Easily one of the most beautiful designs in the Black Heritage series, it won numerous awards and was exhibited at the Society of Illustrators 48th Annual Exhibition in New York City.

37c Marian Anderson approved stamp art by Albert Slark, c. 2005
Canadian-born artist Albert Slark created this full-color oil portrait of Marian Anderson from a circa 1934 black-and-white photograph. Easily one of the most beautiful designs in the Black Heritage series, it won numerous awards and was exhibited at the Society of Illustrators 48th Annual Exhibition in New York City.

37c Marian Anderson stamp, 2005
37c Marian Anderson stamp, 2005

37c Marian Anderson stamp, 2005

22c Duke Ellington approved stamp art by Jim Sharpe, c. 1986
22c Duke Ellington approved stamp art by Jim Sharpe, c. 1986
Performing Arts Series
The most prolific jazz composer ever, Edward ‘Duke’ Ellington and his orchestra toured the U.S. for nearly fifty years and also popularized the genre in Europe.

22c Duke Ellington approved stamp art by Jim Sharpe, c. 1986
Performing Arts Series
The most prolific jazz composer ever, Edward ‘Duke’ Ellington and his orchestra toured the U.S. for nearly fifty years and also popularized the genre in Europe.

22c Duke Ellington stamp, 1986
22c Duke Ellington stamp, 1986

22c Duke Ellington stamp, 1986