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  • Gallery 256 records, 1954-1955
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Gallery 256 records, 1954-1955

Object Details

Place of publication, production, or execution
Other
Physical Description
0.2 Linear feet
Arrangement
The collection is arranged as one series.
Access Note / Rights
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Summary
The scattered records of the Provincetown, Massachusetts cooperative Gallery 256 measure 0.2 linear feet and cover the gallery's brief period of existence from 1953 to 1955. Administrative records include a list of member addresses, a statement of the gallery's legal status, financial records, and an attendance book. Also found are printed material and a several photos of artwork.
Citation
Gallery 256 records, 1954-1955. Archives of American Art, Smithsonian Institution.
Funding
The processing of this collection received Federal support from the Smithsonian Collections Care and Preservation Fund, administered by the National Collections Program and the Smithsonian Collections Advisory Committee.
Use Note
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Biography Note
Gallery 256 was a cooperative art gallery in Provincetown, Massachusetts, housed under the movie house next to town hall for a brief period from 1953-1955. The gallery aimed to display "paintings and sculpture expressing significant trends in contemporary American art," and members included Will Barnet, Cameron Booth, Leo Manso, Louise Nevelson, and Hale Woodruff.
Language Note
English .
Provenance
The collection was donated to the Archives of American Art by Myron Stout, who served as secretary of Gallery 256.
Location Note
Archives of American Art, Smithsonian Institution, 750 9th St. NW, Washington, D.C. 20001
Data Source
Archives of American Art
Record number
(DSI-AAA_CollID)7043
(DSI-AAA_SIRISBib)209176
AAA_collcode_gall256
Creator
Gallery 256 (Provincetown, Mass.)
Subject
Woodruff, Hale
Booth, Cameron
Nevelson, Louise
Manso, Leo
Barnet, Will
Theme
Art Market
Theme
Art Market
Record ID
AAADCD_coll_209176
Usage
Usage conditions apply
View Finding aid

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