La Rétameuse
Object Details
- Edition/State
- 2
- Label
- Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G26 state 2 of 2.
- Provenance
- To 1888
- H. Wunderlich & Co., New York to 1888 [1]
- From 1888 to 1919
- Charles Lang Freer (1854-1919), purchased from H. Wunderlich & Co. in 1888 [2]
- From 1920
- Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
- Notes:
- [1] See List of Whistler Objects transferred to Smithsonian Institution, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. This image was purchased from H. Wunderlich & Co., July 30, 1888, but was kept in the Reserve Section until January 1921, when it was transferred to the Smithsonian Institute and given a registration number for that year. The registration number was later changed to correspond with the year of purchase.
- [2] See note 1.
- [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
- Collection
- Freer Gallery of Art Collection
- Previous custodian or owner
- H. Wunderlich & Co. (1874-1912) (C.L. Freer source)
- Charles Lang Freer (1854-1919)
- Credit Line
- Gift of Charles Lang Freer
- Data Source
- Freer Gallery of Art and Arthur M. Sackler Gallery
- Date
- 1858
- Accession Number
- F1888.37
- Artist
- James McNeill Whistler (1834-1903)
- Restrictions & Rights
- CC0
- Type
- Medium
- Etching; ink on paper
- Dimensions
- H x W (overall): 11 x 8.9 cm (4 5/16 x 3 1/2 in)
- Origin
- United States
- Related Online Resources
- Google Cultural Institute
- See more items in
- Freer Gallery of Art and Arthur M. Sackler Gallery Collection
- Topic
- etching (printing process)
- portrait
- United States
- American Art
- Charles Lang Freer collection
- Record ID
- fsg_F1888.37
- Usage
- CC0
This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Open Access page.
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