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  • Dish with design of the Fifty-Three Stations of the Tokaido
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Dish with design of the Fifty-Three Stations of the Tokaido

Object Details

Description
Dish of extraordinarily large size and weight with sides flaring in curve from low foot; five glaze scars from "spur" supports. Lip rim is thickened slightly with a flattened edge. Foot-rim is slanted in and slightly undercut inside and is unglazed on rounded bearing edge. Excellent condition, no apparent damage or repair. Mark in underglaze blue on base.
Clay: white porcelain, on exposed biscuit of foot-rim it is discolored and dirty.
Glaze: clear, high quality, felspathic, a very few pin holes and iron-spots.
Decoration: painted in underglaze cobalt blue in outline and wash. Inside: 55 circular blue-banded landscape medallions connected in spiral progression by white bands bearing characters. The background is an all-over pattern of repeated single-dotted small circles. The subject is Tokaido Gojusan Tsugi, the 53 stages of the Tokaido, which is the old road between Edo (Tokyo) and Kyoto, as depicted in the famous series of prints by Hiroshige, published in 1834. The name of each station appears in the band leading to it. Outside: the entire back of cavetto is covered by an elaborated scroll. The basic eight large elements of the scroll design are attached to one another at four points by a five-petal blossom. Near the foot is a double and single ring band enclosing alternating x and = patterns, a double ring is on the outside of the foot and also on base near the foot-rim. Calligraphy of mark is strong and clear. Lip rim is banded in blue.
Marks
Mark in underglaze blue on base: Tai Ming Seika nen sei, which is a copy of Chinese six-character Ch'eng-hua mark.
Label
Guests at a banquet first encountered this massive dish arrayed with such delicacies as sliced raw fish (sashimi). After they enjoyed their meal, they would have discovered a second treat on the clean plate: a version of the board game sugoroku. They could toss dice to determine how to move forward or backward along the linked circles representing the fifty-three way stations along the Tokaido, the main highway between Edo and Kyoto. The design of this plate, based on a famous series of woodblock prints by Hiroshige (1797-1858), shows Nihonbashi, the Edo terminus, near the rim and Sanjo Bridge in Kyoto in the center.
Collection
Freer Gallery of Art Collection
Exhibition History
Japanese Art from the Collection (October 26, 2024 - ongoing)
Games, Contests and Artful Play in Japan (March 19 to October 23, 2005)
Artists of Edo (November 19, 2005 to May 29, 2006)
Credit Line
Anonymous gift in memory of Dr. Harold P. Stern
Data Source
Freer Gallery of Art and Arthur M. Sackler Gallery
Date
1840-1850
Period
Edo period
Accession Number
F1974.33
Restrictions & Rights
Usage conditions apply
Type
Vessel
Medium
Porcelain with cobalt pigment under clear colorless glaze
Dimensions
H x Diam: 10.8 x 61.2 cm (4 1/4 x 24 1/8 in)
Style
Arita ware
Origin
Possibly Ohoyama kiln, Arita, Saga prefecture, Japan
On View
Freer West Corridor
Related Online Resources
Google Cultural Institute
See more items in
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Topic
ceramic
Arita ware
Edo period (1615 - 1868)
game playing
cobalt pigment
Japan
porcelain
Japanese Art
city
Record ID
fsg_F1974.33
Usage
Usage conditions apply
GUID
http://n2t.net/ark:/65665/ye309d752d2-52ae-4632-be89-7cd3a5a68928
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Open daily 10 a.m. to 5:30 p.m.

Admission is always free!

2 Massachusetts Ave., N.E.
Washington, DC 20002

Our entrance is on the corner of First Street and Massachusetts Avenue NE.

street map of Postal museum

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