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  • Moonlight of Taj Mahal No. 4
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Moonlight of Taj Mahal No. 4

Object Details

Label
The Taj Mahal is often said to be most beautiful by moonlight, and it is clear from his prints that Yoshida appreciated the subtle splendor of the monument at night. Three of his six prints of the Taj Mahal are night scenes. Yoshida mastered techniques for creating the atmosphere of a moonlit night through multiple printings of translucent colors. Although they appear simpler at first viewing, the night scenes produced by Yoshida often required nearly as many printings as the daylight scenes to achieve the artist's desired effects.
Provenance
To 1996
Henry Edwin Robison (1913-2008), Palo Alto, CA, to 1996
From 1996
Arthur M. Sackler Gallery, given by Henry Edwin Robison in 1996
Collection
National Museum of Asian Art Collection
Exhibition History
Yoshida Hiroshi: Japanese Prints of India and Southeast Asia (August 1 to October 17, 1999)
Previous custodian or owner
Henry Edwin Robison (1913-2008)
Credit Line
Gift of H. Ed Robison in memory of Katherine W. Robison
Data Source
Freer Gallery of Art and Arthur M. Sackler Gallery
Date
1931
Period
Showa era
Accession Number
S1996.19
Artist
Yoshida Hiroshi 吉田博 (1876-1950)
Restrictions & Rights
Usage conditions apply
Type
Print
Medium
Ink and color on paper
Dimensions
H x W: 27.6 x 40.2 cm (10 7/8 x 15 13/16 in)
Origin
Japan
See more items in
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Topic
night
Showa era (1926 - 1989)
tomb
Japan
Japanese Art
Record ID
fsg_S1996.19
Usage
Not determined
GUID
http://n2t.net/ark:/65665/ye30292d7d7-efc4-4b08-a420-ec8d5d9a8a0c
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
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IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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street map of Postal museum

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