Skip to main content
Smithsonian main website

Search

Donate

EnglishEnglish
EnglishEnglishAfrikaansAfrikaansAlbanianAlbanianAmharicAmharicArabicArabicArmenianArmenianAzerbaijaniAzerbaijaniBasqueBasqueBelarusianBelarusianBengaliBengaliBosnianBosnianBulgarianBulgarianCatalanCatalanCebuanoCebuanoChichewaChichewaChinese (Simplified)Chinese (Simplified)Chinese (Traditional)Chinese (Traditional)CorsicanCorsicanCroatianCroatianCzechCzechDanishDanishDutchDutchEsperantoEsperantoEstonianEstonianFilipinoFilipinoFinnishFinnishFrenchFrenchFrisianFrisianGalicianGalicianGeorgianGeorgianGermanGermanGreekGreekGujaratiGujaratiHaitian CreoleHaitian CreoleHausaHausaHawaiianHawaiianHebrewHebrewHindiHindiHmongHmongHungarianHungarianIcelandicIcelandicIgboIgboIndonesianIndonesianIrishIrishItalianItalianJapaneseJapaneseJavaneseJavaneseKannadaKannadaKazakhKazakhKhmerKhmerKoreanKoreanKurdish (Kurmanji)Kurdish (Kurmanji)KyrgyzKyrgyzLaoLaoLatinLatinLatvianLatvianLithuanianLithuanianLuxembourgishLuxembourgishMacedonianMacedonianMalagasyMalagasyMalayMalayMalayalamMalayalamMalteseMalteseMaoriMaoriMarathiMarathiMongolianMongolianMyanmar (Burmese)Myanmar (Burmese)NepaliNepaliNorwegianNorwegianPashtoPashtoPersianPersianPolishPolishPortuguesePortuguesePunjabiPunjabiRomanianRomanianRussianRussianSamoanSamoanScottish GaelicScottish GaelicSerbianSerbianSesothoSesothoShonaShonaSindhiSindhiSinhalaSinhalaSlovakSlovakSlovenianSlovenianSomaliSomaliSpanishSpanishSudaneseSudaneseSwahiliSwahiliSwedishSwedishTajikTajikTamilTamilTeluguTeluguThaiThaiTurkishTurkishUkrainianUkrainianUrduUrduUzbekUzbekVietnameseVietnameseWelshWelshXhosaXhosaYiddishYiddishYorubaYorubaZuluZulu
Smithsonian sunburst Smithsonian National Postal Museum
  • Visit
    Visit
    • Plan Your Visit
    • Location and Directions
    • Calendar of Events
    • Public Programs
    • Floor Plan
    • Tours and Itineraries
    • Amenities
    • Accessibility
    • Reviews
    • Alerts
    Visit »

    Open daily 10 a.m. to 5:30 p.m.

    Admission is always free!

    2 Massachusetts Ave., N.E.
    Washington, DC 20002

    Our entrance is on the corner of First Street and Massachusetts Avenue NE.

    street map of Postal museum

    Learn more
  • Exhibitions
    Exhibitions
    • Current Exhibitions
    • Past Exhibitions
    • Virtual Exhibitions
    • Upcoming Exhibitions
    The museum's Atrium
  • Learn
    Learn
    • For Researchers
    • For Educators
    • National History Day
    • Topical Reference Pages
    • Oral History
    • Research Articles
    • Stamp Collecting
    • One-Minute Wonders
    • Social Media
    • Activities
    Front windows showing stamp images at night
  • Collections
    Collections
    • Search the Collection
    • Collections Search Center
    • Collection History
    • National Postal Museum Archives
    • Donating Collection Objects or Archival Materials
    • Object Loans
    • Collection Projects
    • Object Spotlight
    • Digital Asset Collections
    • Rights and Reproductions
    • Preservation
    • Shared Stewardship and Ethical Returns
    People in front of log post office building
  • About
    About
    • About the Museum
    • About Us
    • FAQs
    • Support the Museum
    • Host an Event
    • National Postal Museum Gala
    • Philatelic Achievement Award
    • Contact Us
    • Press
    • Site Map
    Information Desk in the Historic Lobby
  • Blog
  • Home
  • Collections
  • Search the Collection
  • We're on a June Jordan reader edited by Christoph Keller & Jan Heller Levi ; introduction by Rachel Eliza Griffiths
Click to view social media share links

We're on a June Jordan reader edited by Christoph Keller & Jan Heller Levi ; introduction by Rachel Eliza Griffiths

Object Details

Notes
DONOR NOTE: Ripley Endowment
Contents
"No one will move anywhere but up": Jordan on space, community, architecture, & design for humans (1964-1971) -- "Who would paint a people black or white?": Who look at me (1969) & Soulscript (1970) -- "Honey people murder mercy U.S.A.": Some changes (1967, 1971) -- "If it's wrong in standard English it's probably right in Black English, or, at least, you're hot": Jordan on the politics of language (1972-1985) -- "They mining the rivers/We making love real": from New days: poems of exile and return (1974) -- "Jewels of our soul": Jordan on Countee Cullen's anthology Caroling Dusk, Richard Wright, Zora Neale Hurston, Langston Hughes & Phillis Wheatley (1974-1985) -- "I must become a menace to my enemies": from Things that I do in the dark: new and selected poems (1977) -- "This is my perspective, and this is my faith": Jordan on her life and work (1977-2000) -- "So hot so hot so hot so what/so hot so what so hot so hot": Collaborations: theater, music, teaching, poetry (1981-1996) -- "We are the ones we have been waiting for": from Passion: New Poems 1977-1980 (1980) & from Civil Wars: Observations from the Front Lines of America (1981) -- "I need to talk about living room/Because I need to talk about home": from On Call: Political Essays (1985) & from LIving Room: New Poems (1985) -- "Every night the waters of the world": from Naming Our Destiny: New and Selected Poems 1985-1989 (1989) -- "Misbegotten American dreams have maimed us all": from Technical Difficulties: African American Notes on the State of the Union (1992) -- "Let me be very/very/very/very/very/specific": from Haruko/Love Poems: New and Selected Love Poems (1993), from Kissing God Goodbye: Poems 1991-1997 (1997) & from Affirmative Acts: Political Essays (1998) -- "I guess it was my destiny to live so long": from her last poems (1997-2002) in Directed by Desire: the Collected Poems of June Jordan (2005) & from Some of Us Did Not Die: New and Selected Essays (2002)
Summary
"Poet, activist, and essayist June Jordan is a prolific, significant American writer who pushed the limits of political vision and moral witness, traversing a career of over forty years. With poetry, prose, letters, and more, this reader is a key resource for understanding the scope, complexity, and novelty of this pioneering Black American writer. From "Poem about Police Violence": Tell me something what you think would happen if everytime they kill a black boy then we kill a cop everytime they kill a black man then we kill a cop you think the accident rate would lower subsequently?. I lose consciousness of ugly bestial rabid and repetitive affront as when they tell me 18 cops in order to subdue one man 18 strangled him to death in the ensuing scuffle (don't you idolize the diction of the powerful: subdue and scuffle my oh my) and that the murder that the killing of Arthur Miller on a Brooklyn street was just a "justifiable accident" again (again) People been having accidents all over the globe so long like that I reckon that the only suitable insurance is a gun"-- Provided by publisher
Data Source
Smithsonian Libraries
Date
2017
author
Jordan, June 1936-2002
editor
Keller, Christoph 1963-
Levi, Jan Heller
writer of introduction
Griffiths, Rachel Eliza
Type
Poetry
Poésie
Essay
Literary collections
Essays
LITERARY COLLECTIONS / American / General
POETRY / American / African American
Essais
Physical description
489 pages 23 cm
Title
We are on
Topic
American poetry--African American authors
African Americans
Poetry--African American
Poésie américaine--Auteurs noirs américains
Noirs américains
LITERARY COLLECTIONS--American--General
POETRY--American--African American
American
African American
Record ID
siris_sil_1153613
Usage
CC0

Home Smithsonian National Postal Museum

Visit »

Open daily 10 a.m. to 5:30 p.m.

Admission is always free!

2 Massachusetts Ave., N.E.
Washington, DC 20002

Our entrance is on the corner of First Street and Massachusetts Avenue NE.

street map of Postal museum

Learn more
  • Privacy
  • Terms of Use
  • Press
  • Site Map
  • e-News
  • Facebook
  • X
  • Instagram
  • Pinterest
  • YouTube
  • Flickr

Have you signed up for our monthly e-newsletter?

Owney, the Railway Mail Service Mascot

Back to Top