Venus Envy Chapters I-IV Amalia Mesa-Bains with Introduction by Jennifer A. Gonzalez

Object Details

Notes: Edition of 1500; Accordion-folded with illustrations and text on each side. Accordion extends to 9.5 feet; Catalog of a four-part exhibition series staged between 1993-2008 at the Whitney Museum of American Art, NY from January 21 - April 2, 1993; Williams College Museum of Art, Williamstown, MA, 1994; Bernice Steinbaum Gallery, NY, 1997; Menil Collection, TX, 2008; and SFMOMA, CA from June 18-November 6, 2022; La biblioteca recibió apoyo federal del Fondo de Iniciativas Latinas, administrado por el Museo Nacional del Latino Estadounidense. Library purchase through the Smithsonian Latino Initiatives Pool, administered by the National Museum of the American Latino.; La biblioteca recibio apoyo federal del Fondo de Iniciativas Latinas, administrado por el Museo Nacional del Latino Estadounidense. Library purchase through the Smithsonian Latino Initiatives Pool, administered by the National Museum of the American Latino.
Contents: Chapter I: The First Holy Communion Moments Before the End -- Chapter II: The Harem and Other Enclosures -- Chapter III: Cihuatlampa, the Place of the Giant Women -- Chapter IV: The Road to Paris and its Aftermath-The Curandera's Botanica
Summary: "Venus Envy: Chapters I-IV documents the four-part Venus Envy Series of autobiographical installations completed over several decades by Amalia Mesa-Bains to chronicle four chapters in her life as a Chicana woman. It uses historic photographs in an accordion-fold structure to illustrate the series undertaken between 1993 and 2008. These images are accompanied by significant texts by art historian and critic Jennifer A. Gonzlez. The Venus Envy Series is a narrative through personal and collective feminist perspectives of the artist Amalia Mesa-Bains's life stages, from early childhood to marriage to aging. The story unfolds through a number of altar-installations using an aesthetic of vernacular abundance and accumulation done in settings of religious splendor, secret spaces of the feminine, and archaic landscapes of paradise. It is situated in a historical continuum from the present to the colonial period of European expansion into the Orient to the time of the Aztec Empire, and it ends in a reflection on health challenges leading to healing and recovery. These contemporary practices of wonder and beauty are at the same time a woman's political remembrance of conflict and joy, sorrow and loss and resilience."-- Moving Parts Press website (viewed 06/22/2022)

Data Source: Smithsonian Libraries

Date: 2022

artist: Mesa-Bains, Amalia
author: Gonzalez, Jennifer A
designer: Rice, Felicia
Author: Smithsonian Libraries Artists' Books DSI
host institution: Whitney Museum of American Art; Williams College Museum of Art; Bernice Steinbaum Gallery (New York, N.Y.); Menil Collection (Houston, Tex.),.); San Francisco Museum of Modern Art

Type: Exhibitions; Expositions; Exhibition catalogs; Biographies; Catalogues d'exposition; Artists' books; Artists' books (books).)

Physical description: 30 unnumbered pages color illustrations 20 x 20 cm

Topic: Mexican American art; Installations (Art); Art americain (mexicain); installations (visual works)

Record ID: siris_sil_1162493

Usage: CC0