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  • Welcome to the jungle new positions in Black cultural studies Kobena Mercer
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Welcome to the jungle new positions in Black cultural studies Kobena Mercer

Object Details

Contents
Introduction: Black Britain and the Cultural Politics of Diaspora -- 1. Monster Metaphors: Notes on Michael Jackson's Thriller -- 2. Diaspora Culture and the Dialogic Imagination: The Aesthetics of Black Independent Film in Britain -- 3. Recoding Narratives of Race and Nation -- 4. Black Hair/Style Politics -- 5. Black Masculinity and the Sexual Politics of Race. True Confessions / Kobena Mercer and Isaac Julien. Racism and the Politics of Masculinity. AIDS, Racism and Homophobia. Engendered Species -- 6. Reading Racial Fetishism: The Photographs of Robert Mapplethorpe. Imaging The Black Man's Sex (1986). Skin Head Sex Thing: Racial Difference and the Homoerotic Imaginary (1989) -- 7. Dark and Lovely: Black Gay Image-Making -- 8. Black Art and the Burden of Representation -- 9. Welcome to the Jungle: Identity and Diversity in Postmodern Politics -- 10. "1968": Periodizing Politics and Identity
Summary
Welcome to the Jungle brings a black British perspective to the critical reading of a wide range of cultural texts, events and experiences arising from volatile transformations in the politics of ethnicity, sexuality and "race" during the 1980s. The ten essays collected here examine forms of cultural expression in black film, photography and visual art exerging with a new generation of black British artists, and interprets this prolific creativity within a sociological framework that reveals fresh perspectives on the bewildering complexity of identity and diversity in an era of postmodernity. Kobena Mercer documents a wealth of insights opened up by the overlapping of Asian, African and Caribbean cultures that constitute Black Britain as a unique domain of diaspora. As a result of the turbulent displacements of the 1980s, new forms of hybrid identity came out of the margins while others were progressively de-centered. Looking at the United States and Britain as societies of the black diaspora, ambiguous manifestations of this dynamic are critically examined across a variety of surfaces from Michael Jackson's ethnic androgyny to the cut and mix profusion of post-essentialist sensibility expressed in the medium of black hairstyles
Data Source
Smithsonian Libraries
Date
1994
20th century
20e siècle
author
Mercer, Kobena 1960-,-
Type
Books
Physical description
viii, 339 pages illustrations 23 cm
Place
Great Britain
Grande-Bretagne
Großbritannien
USA
United Kingdom of Great Britain and Northern Ireland
United States
Schwarze
Topic
African American arts
African Americans--Race identity
Arts, Black
Arts, British
Black people--Race identity
Arts noirs américains
Noirs américains--Identité ethnique
Arts noirs
Arts britanniques
20.05 art in relation with other areas of culture: general
Kultur
Schwarze
Blacks
Cultural identity
Arts, American
Arts, Modern
Blacks--Race identity
Great Britain
Record ID
siris_sil_477793
Usage
CC0

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Open daily 10 a.m. to 5:30 p.m.

Admission is always free!

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Our entrance is on the corner of First Street and Massachusetts Avenue NE.

street map of Postal museum

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